Early Christmas

I always love the aftermath of opening my studio and house to visitors. After the stress of the preparation, the house is transformed into a zen-like gallery and the studio becomes a wonderful organised space with clear surfaces and tidy work areas. Needless to say, this is not its normal state of being! And invariably it doesn’t last long after the final visitor has left, but for a day or two, I float around feeling contentedly on top of things.

Last weekend I held a Christmas pop up shop. It was the first time I’ve opened up at this time of year and I really enjoyed it. Though my visitor numbers were not as high as my May Open House it seemed as though everyone was buying, so I had the enjoyment of having time to chat to visitors along with the benefit of lots of sales.

I also appreciated having a couple of neighbouring houses opening up at the same time, as it provided a mini Xmas shopping experience for our visitors. This will definitely be on my calendar for next year, and I may even manage a little private viewing evening on the Friday to catch those early shoppers.

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A Weighty Proposal

I’m really delighted today to have received an email telling me that I have been shortlisted for a really exciting commission.

The commission is for an artwork to be installed in the entrance to a new science centre at a school outside Oxford. The building is currently in the construction phase and is due to be completed next year. The artwork would be placed within the three storey main staircase, visible from the outside through the glass fronted building.

Science-CentreI have got through the first stage of the application process with a proposal that took me quite a while to prepare. Amazingly the concept for this artwork came to me almost instantaneously upon reading the brief. It has only ever happened once before where I have a complete image in my head of the final piece, without drawing or sketching to develop the concept.

The problem was then to actually get it down on paper, and as I worked on the sketches for submission, the days seemed to evaporate. Finally the deadline day arrived and my proposal was ready but I was slightly shocked to see the size of the digital submission…. 122MB of data was finally uploaded to Dropbox, with a note of apology! My computer was creaking under the weight of it!

Anyway, the selection committee must have been able to open it, as my proposal was put forward as one of 5 from the original group of 64 artists who applied. I will have an interview in a couple of weeks to further lay out my ideas, so it’s back to the old drawing board for some R&D.

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Christmas Goodies

I hold an Open House in May every year, and I’ve always meant to do a Christmas Open Studio event. I was approached by a couple of local makers to hold a joint event, and so for the first time this November I will be opening my studio for a Christmas sale.

I will be open this Saturday 8th and Sunday 9th November from 11am-6pm at The Glass Studio, 47 Pymers Mead, London SE21 8NH.

In anticipation of the launch of my new online shop, I will be having a sale of small glass pieces which will make perfect Christmas presents. The studio and one floor of the house will be open to visitors who want to make an early start on Christmas shopping. I have easy parking and credit card facilities which will help make the experience easy and enjoyable, and of course I offer handmade glassware at reasonable prices. And as if this wasn’t incentive enough, my fellow off-Croxted Road residents are also opening that weekend and so you will have a mini trail of houses to visit.

Catherine Mitchell makes jewellery crafted in silver with semi-precious stones and pearls. Catherine’s Open House at 84 Croxted Road is also running for extended dates on Thursday 6th and Friday 7th November.

A little further down, five makers are selling their products at 21 Hawarden Grove.* Catherine Potter makes a host of decorative gift items from upcycled textiles and buttons. Handmade in Hammersmith recycles tweeds and other textiles made into beautiful new bags and pouches. One of a Kind Jewellery creates one-off designs combining rare vintage beads, Italian and Czech glass, ceramic, resin and amber. Alison Watt-Cooper produces drawings, prints and cards, inspired by local flora and fauna. Joy Fitzsimmons sells cards, notebooks, tea towels and prints all featuring her signature dachsund designs.

*At Hawarden Grove an entrance fee of £1 plus 10% of takings will go towards the local community charity 4ALL-Building Community in West Dulwich. Entrance includes a glass of mulled wine, coffee or tea and mince pie.

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A Clean Weekend Away

No dirty weekend for us! We picked Bath to visit last weekend to celebrate my birthday, and between the Roman Baths and a morning spent in the modern day thermae spa, we came back sparkling clean.

Arriving on Friday afternoon by train at Brunel’s Bath Spa station, we went to find our digs. We were staying in a fantastic apartment in a converted schoolhouse right in the centre of Bath. There were lots of stairs to climb but the view across the rooftops was worth it. And being just minutes, and in some cases just seconds, from the sights, the bars, restaurants and shops was a luxury that made the most of our time away.

So we still had time for a little sight seeing and we started with the closest and most obvious attraction, the Roman Baths. The operatic voice of a singer in the square outside floated down as the warmth from the natural waters rose, and there was a lovely sense of quiet, despite the inevitable handful of tourists having their photos taken with a Centurion and a Roman lady. I was glad that we had arrived too late to get into the adjoining Pump Rooms so we managed to avoid the obligatory tasting of the Spa waters, which I remember as tasting foul from a visit twenty years ago.

Instead we did a bit of window shopping… I am not a natural shopper but it was all so calm and unbusy, I was rather enjoying trying on a few outfits. Dinner had been booked at Clayton’s Kitchen at the Porter which was an exceptional meal -the best meal I’ve had in ages in relaxed surroundings and with excellent service – so we indulgently went back there for breakfast the next morning.

 

Quiet Street

But somehow Bath had been transformed overnight. From our Friday evening impressions of the Spa town with its calm and elegant streets clad in honey coloured Bath stone, we found ourselves in a busy tangle of alleys and lanes bustling with tourists and street performers.

 

We ducked into the Thermae Bath Spa for some respite. I had been imagining it as a quiet sanctuary-like day spa, but in fact it seemed more like a modern day version of the Roman Baths, a busy place where people came to socialise in the thermal waters. The rooftop pool literally could not have fit more people in it, but it was rather nice to be engulfed in the warm waters outdoors on an October morning, imagining the bathers as Roman citizens.

Refreshed, we walked up away from the shopping crowds and up to the Circus and the Royal Crescent, to admire the sweeping Georgian architecture of John Wood the Younger, and the lovely views down through Victoria Park. We grabbed a sandwich and went to sit down by Bath Abbey, where the queues for the Roman Baths now stretched around the block, and a non stop stream of buskers kept everyone entertained.

The crowds did not stop inside the Abbey where we enjoyed the exquisite fan vaulting on the ceiling but, rather incongruously, an enormous and chaotic cake sale was happening on the ground. I am the first person to scoff a cake at any opportunity and subsequently feel guilty, but this time not one item along that aisle full of confection actually tempted me – they all looked rubbish! Instead my latent religious guilt compelled me to buy one to aid their fundraising efforts, and I ate it as we walked along the winding River Avon and across the Pulteney Bridge.

We walked along Great Pulteney Street which, at 1000ft long and 100ft wide, is the widest and grandest road of Bath and I could picture those Georgian ladies perambulating up that wide boulevard in their enormous frocks. However it was only built as a façade and subsequent developers acquired the plots and filled in the structure behind, and I loved the idea that each interior would be laid out differently despite the uniform frontage.

At the end of the street is the Holburne Museum, home to the collection of fine and decorative arts by Sir William Holburne. Paintings by Zoffany and Gainsborough hung upstairs while downstairs we picked our way through a diverse collection of silverware, porcelain, miniature cameos, silver gilt spoons and fine furniture. We had been recommended to stop for a cup of tea at the modern extension at the back of the museum which looked out onto the Sydney Gardens, the only remaining pleasure gardens in the country.

Sunday morning saw a walk through Bath’s cobbled streets to meet family friends for breakfast at Raymond Blanc’s brasserie at the Francis Hotel in Queen Square. We just had time to visit the elegant Assembly Rooms with its fabulous chandeliers and its Fashion Museum in the basement, before saying goodbye to our lovely apartment and jumping on the train back to London.

For more pictures of our trip see my Pinterest Travel snaps page

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A Break in the Weather

I spent a wonderful day yesterday with a drawing group in a beautiful garden and nursery near Lewes. We were planning on sketching outside all day and despite overnight rain, the morning light on the drive down was very promising. By the time I arrived, the gardens were bathed in a gorgeous autumnal light and we were rather pleased with ourselves for having chosen the perfect day for it.

Marchants Nursery and Garden in Laughton, East Sussex, is one of the leading small nurseries in the country attached to a beautifully kept garden with stunning views of the South Downs. Owned by Lucy Goffin – one of the ladies in the drawing group – and her husband Graham Gough, the garden at Marchants was the perfect spot to sketch and paint.

At every turn there were plants and flowers, creating a maze like walk through the centre of the gardens, paths lined with planting and a general movement down the garden leading visitors towards a large pond at the end of the plot. Everything was well kept without being fussy, and you could tell that this was a garden created with love. Further up towards the house, one got a longer vista across the gardens and beyond. After a morning’s work we came back together inside. As if by magic, another fantastic spread was created from dishes brought by various members of the group and we had our post lunch cups of tea from the balcony outside the lovely first floor studio.

Of course with eight creative women involved, lunch and a cup of tea is no quick affair! Those of us who hadn’t seen Lucy’s studio were curious, and Lucy obliged by inviting us in to see the studio and her work. She is a textile artist and she draws greatly on the nature surrounding her, with plants from her garden often being depicted in her textiles designs. It was all so inspiring, let alone the incredible views across the South Downs from her balcony. But alas the afternoon felt as though it was already half gone, before we got back to work, and far too soon I had to jump back in the car to make my way back to London for an evening lecture. And so I left Marchants at about 4 o’clock, marvelling that I had spent an entire October day in lovely autumnal sunshine in barely more than a thin jacket.

And then the heavens opened! The two photographs above were taken 20 minutes apart! I had left myself enough time to get back on a good day, but I’d forgotten the Friday afternoon traffic and I certainly had not counted on such appalling weather conditions that the A22 was literally turned into a river. That, plus the typical English signposting which sent me twice around a standstill traffic jam on the East Grinstead ringroad before I realised I would have to retrace my steps back. After two hours in the car, I had gone only 35 miles of my journey and had practically given up on getting back in time for the lecture which was to start in 45 minutes.

But driving through Sevenoaks I had an inspired moment! I parked in the station car park, jumped on the first train to London Bridge (which thankfully turned out to be the fast train), had a couple of crowded tube rides in London rush hour and then sprinted from Holborn tube to make it just in time to Queen Square to grab a glass of wine and a seat for the lecture.

And I am so glad I made the effort, as the lecture was superb. Dr Nicola Gordon Bowe spoke with verve and passion about one of my all time stained glass favourites, Harry Clarke. He was a remarkable Arts and Crafts artist working in Dublin from about 1910. He produced book illustrations and taught graphics at the Dublin School of Art, but it is his idiosyncratic stained glass for which he is remembered best. He was prolific and produced an unbelievable number of outstanding works during his relatively short career which was cut short by his early death in 1931 from – what sounded like – over work.

After the lecture, we were so excited to have the opportunity to look closely at a Harry Clarke glass panel, which demonstrated his unbelievable, almost microscopic, painting technique. There is always more to find in Harry Clarke’s work – little faces, small details, tiny inscriptions and his almost hidden signature. I think his work is also strangely timeless – it has an Arts and Crafts sensibility but it looks like it could have been created by a modern master. Even better, I love that his work also often looks like it could have been painted by a woman – it has such a feminine aesthetic and the decorative detail is mindblowing. But, as we found out, he also had a taste for sauciness in some of his pieces and the good citizens of Dublin were affronted on more than one occasion by his depictions in glass.

We stayed for a meal at the Art Workers’ Guild and I was delighted to spot an Angie Lewin print on the walls – someone else whose work has lovely decorative detail and is also an old friend from my Central Saint Martins days. We were chatting away and ended up being the last people out of the building. On my way back to the tube I remembered with a sinking heart that I’d have to train it back out to Sevenoaks before making the long midnight drive back home.

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Bedroom number 43

I’ve been teaching down in West Dean for eight years now and I usually go down four or five times a year, so I reckon I must have stayed at West Dean College about forty times. That mean I’ve potentially stayed in about half the bedrooms that are available to guests.

But I’ve never stayed in such a nice bedroom as the one I’ve just slept in for the past couple of nights at West Dean while teaching my Intricate Surfaces weekend course there!

dunkantix

Image: dunkantix.com

The college is based in a beautiful country home in the heart of the South Downs, once owned by Edward James, a patron of the Surrealists. The house is steeped in history and the whole estate has a unique charm with various outbuildings dotted around the grounds that provide extra accommodation for visitors. However the bedrooms of the original house are by far the most magnificent, and I suspect that they are reserved for students rather than tutors.

And I was lucky enough to stay in one of these grand bedrooms this weekend – bedroom number 43 – which was found beyond the library and up a splendid staircase hung with scroll-framed portraits. The twin room was decorated with beautiful handpainted murals all the way around the room, and generously proportioned furniture. The 1930s fireplace and traditional fittings gave me the idea that the interior of this bedroom must have been designed in Edward James’s era.

But I got even more of a lovely surprise when I climbed the short staircase to the ensuite bathroom. Entering the bathroom through a fabulous curved door, I was excited to try out what must have been original fittings. There was no plug, but instead a separate tap control which one lifted and turned to plug the pipes, plus instructions for any bemused users. And I couldn’t wait to try out the traditional footed bath – it was wonderfully deep and spacious, and proportioned so well to accommodate shoulders underwater as well as a comfortable dip to rest the head …quite different from the modern take on the claw-footed baths.

I find it amazing to think how many times I’ve been to West Dean and yet find there are still undiscovered spaces to explore. Might there be an even better bedroom than number 43?!

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Party dressing

I went to a party in Islington last Friday night for the launch of a new space on Essex Road. It is the office and showroom for Reis, a new interior design and architecture consultancy, and our glass was used to dress the space with a longer term view to be held on show for clients coming into the office.

 

The mayoress of Islington came to launch the store with a ribbon cutting and lots of photographs. She and her husband stayed for a few drinks and before going off to their next launch (apparently they do 300 events a year!). There was the most unbelievable feast of canapes which we barely dented, despite feeling like we were constantly picking at it.The photographers were snapping away while we quaffed, dined and mingled to our heart’s content until the late closing and stumbled back to Kings Cross for the last train home.

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The Treasures of Decorex

I wasn’t relishing the journey to get to Decorex 2014. It’s former location in the grounds of the Royal Hospital at Chelsea was minutes from my old flat, but Syon Park for goodness sake?! But a remarkably smooth journey – involving three trains and a (complimentary) coach ride – later and I found myself standing outside a rather bleak looking tent in a bleak field on a bleak day, looking forward to seeing the treasures inside.

The entrance to the show lead visitors past a series of eight contemporary vignettes based on scenes from The Rake’s Progress by Hogarth. It was an odd conceit, the point of which wasn’t clear until I looked it up later on the Decorex website and discovered there was an association with the Sir John Soane’s Museum. However the realisation of these concepts was little contrived and seemed little more than an opportunity for some product placement.

The one set that caught my eye was The Orgy by Russell Sage (above left), though perhaps for the wrong reason. It reminded me of my friend Huma Humayun’s styling on the After Hours shoot for Schon magazine (above right), but where Huma’s styling was considered and artful, I thought Sage’s interpretation of the brothel scene just looked like the pile of clothes on my bedroom floor before I put the washing on!

 

However once inside I was more impressed with the exhibitors’ stands. My favourite was the Vessel Gallery stand which displayed a gorgeous collection of various glass pieces, including my friend Brett Manley’s fabulous cast glass mirror (detail, above). Brett’s work has always drawn inspiration from many different sources, but her hexagonal mirror is quite clearly the culmination of her work casting glass from ornate picture frames, something that she started in 2010 for our show ‘Era’ at the Cochrane Gallery.

My eye was of course trained for other makers that I know, so I was thrilled to see a beautiful display of glass pendants in various shades and shapes from Michael Ruh at the Design Nation stand and I couldn’t miss Eryka Isaak who filled 10 square metres with her huge glass bowls with a tough industrial edge.

Most spectacular was Christoper Jenner‘s Cloud installation made from his blown glass ‘Urbem’ lights (above) which, as Christopher himself explained to us, were inspired by the meeting of craft and technology in 19th century street lighting in Milan. My glass radar had quite clearly been switched on as I noticed the same lighting in use on the Lapicida stand.

Studio Lucid

Finally another favourite from the show appeared to be lighting of some sort from Studio Lucid but hung like a sculptural installation within its own little walled off section at the end of the Heathfield & Co stand. I stood for a few minutes trying to work it out but, because of the wall, I was as invisible to the stand holders as they were to me and no one came to relieve me of my confusion… perhaps a lesson that though the stands rightly should look beautiful, practicality has its place too?

Video

Wrapping the show

After a successful fortnight showing our Designed | Crafted exhibition at Rivington Street, we finally wrapped the show last night and today had the unenviable task of also wrapping the work and packing away the plinths to clear the space. Usually the final clear up is a little sad, taking down all the lovely work and seeing the empty space.

However there was one thing which brightened our day considerably this time. We were sent the link to a video piece on the FT website which featured some footage of our show. In all the craziness of London Design Week I had almost forgotten that I met the producer of the piece last Tuesday and showed him around our exhibition while a cameraman filmed inside and outside the gallery!

The hour that they spent in our space, and asking about our work, was reduced down to about seven seconds…. in fact just about as long as one of good old Terence Conran’s pauses, but it made us very happy!

Check us out between 1:46 and 1:53

Gallery

Designed | Crafted

Our exhibition opened last week at the Society of Designer Craftsmen Gallery in Rivington Street, Shoreditch. Designed | Crafted is a showcase bringing together the best of British craft, with beautifully handmade objects which bridge the gap between craft and design.

We tried to represent the breadth of the show in the window with one piece from (almost) every artist. The gallery space was looking gorgeous with a row of Simon Yates‘ sculptural stands made from polished yew leading to the back space where Brett Manley‘s ‘Glass Forest’ comprised of a cluster of glass discs presented on plexiglass stands. Juliette Bigley‘s bowls in polished silver had a seductive warmth from the gilded interior which put me in mind of horse chestnuts and their shells.

From the arboreal to the underwater, my Coral Bowls have an organic undulation about them which invokes notions of deep sea coral as they project a frilly pattern of colour underneath. Myung Nam An‘s wall of sculptural ceramics continues the underwater theme with colourful anemone-like forms.

Set against these weird and wonderful shapes, Katie Snow‘s androgynous geometric jewellery is no less intriguing. in fact her collection is called ‘Pockets of Intrigue’ as the wearable angular containers open to reveal their secrets. Then we had beautifully contrasting work with the virtuoso blown glass vessels by Adam Aaronson, large and expressive, contrasting with a group of neat blown glass vases from The Edition Collection, exquisitely engraved with intricate patterns.

 

Private-ViewWe are open late on Tuesday 16th September for a private view to which you are cordially invited. Please come along between 7pm and 10pm to see this exciting collection of contemporary craft work with a design edge.

See further images at my Pinterest page